Here's a teenage girl musing on her resemblance to her mother, with whom she has an ambivalent relationship:
"[She] would turn out to be a woman of unobjectionable looks (trim enough, tall enough, with brown hair like her mother’s and brown eyes like her mother’s and pale, freckled skin. Like her mother’s)."
from Admission by Jean Hanff Korelitz
Note the three repetitions of "like her mother's" and their punctuation. The first two are integral parts of the sentence; there's nothing about them to draw much attention. It's the third one, set off as a separate sentence, that illuminates the narrator's feelings toward her mother. Can't you just hear the teenage gnashing of teeth as she's forced to admit that in still another way, she's like her mother? Had the third phrase not broken the pattern, we would not sense the narrator's dismay. One little stylistic choice has conveyed the deeper truth.
Tuesday, February 16, 2010
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